Dissimilar to theater on-screen characters, who create characters for encores, film performing artists need congruity, driving them to go to all scenes (in some cases shot backward of the request in which they at last show up) with a completely created character already.[26]
"Since film catches even the littlest motion and amplifies it..., silver screen requests a less colorful and adapted real execution from the performer than does the theater." "The execution of feeling is the most troublesome part of film acting to ace: ...the film on-screen character must depend on unobtrusive facial ticks, shudders, and minor lifts of the eyebrow to make an acceptable character."[26] Some venue stars "...have influenced the theater-to-silver screen to change effectively (Laurence Olivier, Glenn Close, and Julie Andrews, for example), others have not..."
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